Tuesday, June 5, 2007

SANTANA - III


Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon — who was 17 years old — into the original core lineup of Santana. Percussionist Thomas "Coke" Escovedo was brought in to replace (temporarily) José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. The rest were Carlos, organist Gregg Rolie, drummer Michael Schrieve, bassist David Brown, and conguero Michael Carabello. "Batuka" is the powerful first evidence of something being very different. The band was rawer, darker, and more powerful with twin leads and Schon's harder, edgier rock & roll sound paired with Carlos' blend of ecstatic high notes and soulful fills. It cooks — funky, mean, and tough. "Batuka" immediately transforms itself into "No One to Depend On," by Escovedo, Carabello, and Rolie. The middle section is highlighted by frantic handclaps, call-and-response lines between Schon and Rolie, and Carlos joining the fray until the entire track explodes into a frenzied finale. And what's most remarkable is that the set just keeps on cooking, from the subtle slow burn of "Taboo" to the percussive jam workout that is "Toussaint l'Overture," a live staple in the band's set list recorded here for the first time (and featuring some cooking Rolie organ work at its beginning). "Everybody's Everything" is here, as is "Guajira" and "Jungle Strut" — tunes that are still part of Santana's live show. With acoustic guitars, gorgeous hand percussion, and Santana's fragile lead vocal, "Everything's Coming Our Way" is the only "feel good" track here, but it's a fitting way to begin winding the album down with its Schon and Santana guitar breaks. The album ends with a completely transformed reading of Tito Puente's "Para los Rumberos," complete with horns and frantic, almost insanely fast hand drumming and cowbell playing. It's an album that has aged extremely well due to its spare production (by Carlos and the band) and its live sound. This is essential Santana, a record that deserves to be reconsidered in light of its lasting abundance and vision.

Tracks
1. Batuka
2. No One To Depend On
3. Taboo
4. Toussaint L'Overture
5. Everybody's Everything
6. Guajira
7. Jungle Strut
8. Everything's Coming Our Way
9. Para Los Rumberos

LINK:
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Please leave a comment

4 comments:

Ereshkigal said...

I love your blog. What a marvelous trip through time. I was lucky enough to have experienced many of these musicians playing in the '60s and early '70s. It's gratifying to discover that the music is still heard in its prime form and as inspiration to newer artists.

Thanks for the (renewing) memories.

Gordon said...

This is another great one from Santana, The rythym is great throughout. I probably prefer caravanserai because theres a bit more of an atmosphere to it but this is a close second.
Thanks,
Gordon

zippy said...

Definately their best overall album--although the first two have several classic songs...Thank you!

Anonymous said...

Although my favourite was that times the "Welcome" but this one contains so many today classic numbers I have listened to it very many times. I like "early" Santana, if can be say better than modern albums of the group.